The Distinctive Language Style of Kaeko Hayafune in the Film No Longer Human (Ningen Shikkaku, 2019): A Stylistic Study Based on Murry J. Middleton’s Theory

Abstract

No Longer Humun (Ningen Shikkaku: Dazai Osamu to 3-nin no Onnatachi (2019), written by Kaeko Hayafune, presents dialogue that functions not only as a medium of communication but also as a means of construction  meaning, emotion, and narrative aesthetics. This study aims to describe the distinctive linguistic style used in the film's dialogue. The analysis applies J. Middleton Murry’s (1922) stylistic theory, which emphasizes personal idiosyncrasy, technique of exposition, and the achievement of artistic quality. A descriptive qualitative method was employed,  with data collected through observation and note-taking techniques. The findings reveal that Hayafune consistently employs a paradox as a dominant stylistic device. Diction nuance with sadness, despair, and death is juxtaposed to bring forth an aesthetic and poetic impression. Furthermore, grammatical elements such as adverbs, imperative verbs, and conjunctions are utilized as the foundation of the cinematic narrative. Through these linguistic strategies, the tragedy of Osamu Dazai's life is represented not as a defeat, but rather as a creative process in the making of a masterpiece. These findings demonstrate that Kaeko Hayafune's linguistic style becomes an essential element in building the depth of meaning in a film.